Francisco José de Goya y Lucientes

Los Caprichos (The Caprices) –
Plate 33: To the count palatine (or Count of the Palate)

1797 - 1798 etchings with aquatint and colour on paper

In all sciences there are quacks who know everything without having studied a word and have a remedy for everything. You should not trust a word they say. The really wise man is always wary of making predictions: he promises little and accomplishes a lot; but the Count Palatine accomplishes nothing of what he promises. 

Francisco José de Goya y Lucientes (1746-1828) was a legendary Spanish painter and printmaker who is renowned as the first ‘modern’ artist. Goya’s late artworks were sombre and pessimistic, illustrating his bleak view of disparaging social and political climates. Although many of his personal standpoints no longer exist in written form, the artworks tell Goya’s stories. These, along with Goya’s life, were a significant influence on Salvador Dalí.

Goya’s etching suite, Los Caprichos (The Caprices) was made in 1797 to 1798 before being published in book form in 1799. The set of eighty prints is Goya’s satirical response and experiment to reveal the immeasurable follies, deceitful manners, and self-obsession found in Spanish culture at the time, along with social superstitions. However due to the political climate, he had to disguise the implied depictions within the artworks.